Regional Premiere of this non-linear, powerful musical written by the creator of Natasha, Pierre, and the Great Comet of 1812. Concept was eclectic and bohemian, with the audience brought directly into the world. Non-traditional seating options included couches, lounge chairs, and pillows strewn about the floor, with the action played around the entire space. The actors played all (46) of the instruments and significant movement propelled the story, which included a twenty minute movement section performed almost entirely in blackout.

Winner: DFW Critics Forum Award for Outstanding Direction